{"id":548,"date":"2021-03-09T16:30:27","date_gmt":"2021-03-09T15:30:27","guid":{"rendered":"http:\/\/silejapon-m-etaitconte.com\/?p=548"},"modified":"2021-03-14T17:14:53","modified_gmt":"2021-03-14T16:14:53","slug":"leternel-mitsumasa-anno","status":"publish","type":"post","link":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/","title":{"rendered":"L\u2019\u00e9ternel Mitsumasa ANNO\u3000\u5b89\u91ce\u5149\u96c5\u3001\u6c38\u9060\u306b"},"content":{"rendered":"\n

R\u00e9dig\u00e9 par Tchi\u00e9<\/strong><\/em> en fran\u00e7ais et en japonais \u30d5\u30e9\u30f3\u30b9\u8a9e\u7248\u306e\u5f8c\u306b\u65e5\u672c\u8a9e\u7248\u3042\u308a<\/p>\n\n\n\n

Mitsumasa Anno\nest pour moi le peintre des \u00ab grains de bois \u00bb. <\/p>\n\n\n\n

Je peux me\nrappeler l\u2019impact fort que j\u2019ai eu quand j\u2019ai vu ses dessins de grains de bois\ndans un livre d\u2019image qui se trouvait \u00e0 la maison. Cet impact ne venait pas de\nson id\u00e9e originale mais au contraire de son universalit\u00e9. L\u2019image d\u2019un meuble\nsobre et indiscutablement intemporel \u00e9tait surprenante du point de vue r\u00e9aliste\nde son grain de bois et de sa s\u00e9r\u00e9nit\u00e9.<\/p>\n\n\n\n

Le plafond d\u2019une\nchambre japonaise est souvent en planches en bois et si on s\u2019allonge sur le\ntatami, les yeux tracent naturellement les grains de bois du plafond. Le\nconscient se concentre \u00e0 suivre le motif de ces simples rayures, les courbes\ndouces et organiques provenant de cernes d\u2019arbres, et cela am\u00e8ne un sommeil\nagr\u00e9able. Anno dessine une ligne de grains de bois, un brin de mauvaise\nherbe, un pav\u00e9 de pierre et une tuile de toit, un par un, avec soin et sans\nn\u00e9gligence. C\u2019est pour cela que les livres d\u2019Anno ont une odeur de \u00ab fait\n\u00e0 la main \u00bb m\u00eame si en r\u00e9alit\u00e9 ses livres sont fabriqu\u00e9s dans une\nimprimerie. Quand j\u2019\u00e9tais petite, j\u2019ai m\u00eame pu sentir l\u2019odeur du bois dans la\npage o\u00f9 sont dessin\u00e9s ses grains de bois. Il y a un temps bucolique dans ses\ndessins qui existait auparavant, avant que le monde commence \u00e0 courir \u00e0 toute\nvitesse.<\/p>\n\n\n\n

Son premier livre\nest \u00ab Fushigina e<\/em><\/strong> (Mysterious pictures) \u00bb (1968)\ninspir\u00e9 des \u2018objets impossibles\u2019 de Maurits Escher, il s\u2019agit d\u2019un livre\nd\u2019images de l\u2019illusion.<\/p>\n\n\n\n

Dans \u201cABC no hon, hesomagari no arufabetto<\/em><\/strong> (Anno’s Alphabet)\u201d (1974) et \u201cA i u e o no hon<\/em><\/strong>\u201d (1976) il dessine des lettres cr\u00e9es \u00e0 l\u2019issue d\u2019un assemblage fantastique en bois. Est-il r\u00e9ellement possible de cr\u00e9er ces formes sophistiqu\u00e9es\u00a0? Peut-\u00eatre avec la technique excellente de la menuiserie japonaise\u00a0? Les adultes aussi bien que les enfants se retrouveront fort intrigu\u00e9s par cette \u00e9nigme g\u00e9om\u00e9trique. <\/p>\n\n\n\n

\u2018 Je cherche\ntoujours \u00e0 duper des lecteurs\u2019 raconte Anno qui a un esprit fort r\u00e9cr\u00e9atif.<\/p>\n\n\n\n

\u00ab Mori\nno ehon<\/em><\/strong> (Loup y es-tu ?) \u00bb (1977) est un livre avec des dessins\nde for\u00eats calmes et reposantes mais o\u00f9 il y a de nombreux animaux dissimul\u00e9s.\nCe n\u2019est s\u00fbrement pas que moi qui ai fl\u00e2n\u00e9 dans ces for\u00eats durant des heures et\ndes heures en cherchant les ombres des animaux.<\/p>\n\n\n\n

Anno a publi\u00e9 non\nseulement des livres d\u2019images avec des jeux g\u00e9om\u00e9triques ou visuels mais aussi avec\nle th\u00e8me des math\u00e9matiques et celui de l\u2019astronomie.<\/p>\n\n\n\n

\u00ab J\u00fbnin\nno yukaina hikkoshi<\/em><\/strong> (Dix petits amis d\u00e9m\u00e9nagent) \u00bb (1981) est un\nlivre d\u2019image o\u00f9 les lecteurs sont invit\u00e9s \u00e0 deviner le nombre d\u2019enfants qui\nd\u00e9m\u00e9nage dans une maison d\u2019\u00e0 c\u00f4t\u00e9. Deux maisons dessin\u00e9es, une page de gauche\net l\u2019autre page de droite, il y a une maison dont on ne voit pas l\u2019int\u00e9rieur\npuisque c\u2019est son mur ext\u00e9rieur qui est dessin\u00e9. Les lecteurs doivent alors deviner\nle nombre d\u2019enfants qui se trouvent derri\u00e8re ce mur en tenant compte du nombre\nd\u2019enfants qui se trouvent dans l\u2019autre maison. Ici les dessins d\u2019Anno sont\nexquis tout comme dans d\u2019autres de ses livres abordant le th\u00e8me des math\u00e9matiques.\nLes personnages, les meubles et les maisons sont narratifs, ils n\u2019ont pas \u00e9t\u00e9 dessin\u00e9s\ndans le simple but d\u2019\u00eatre compt\u00e9s mais pour \u00eatre song\u00e9s et imagin\u00e9s avec leurs\npetits histoires.<\/p>\n\n\n\n

Dans \u00ab Tend\u00f4setsu\nno ehon<\/em><\/strong> (Comment la terre est devenue ronde) \u00bb (1979) Anno nous\nsugg\u00e8re des questions astronomiques mais aussi philosophiques. Nous savons \u00e9videmment\nque la terre est ronde mais comprenons-nous r\u00e9ellement la th\u00e9orie de Copernic ?  Nous rigolons parfois de l\u2019ignorance de nos\nanc\u00eatres mais serions-nous capables d\u2019imaginer la pens\u00e9e des gens d\u2019avant l\u2019\u00e8re\ndes grandes explorations ?
\nC\u2019est un tr\u00e8s beau livre d\u2019image qui a l\u2019apparence d\u2019un parchemin datant du Moyen-\u00c2ge\neurop\u00e9en.<\/p>\n\n\n\n

Pour finir, je\npr\u00e9sente \u00ab Tabi no ehon <\/em><\/strong>(Ce jour-l\u00e0) \u00bb (1977).  Plus tard ce concept de \u00ab Tabi no\nehon<\/em><\/strong> \u00bb (qui se traduit \u2018livre d\u2019image de voyage\u2019) se d\u00e9veloppera en\nune s\u00e9rie de plusieurs livres se passant aux quatre coins du globe \u00e0\ndiff\u00e9rentes \u00e9poques, son premier livre est le voyage en Europe.
\nSur fonds de villages et de villes construits en pierre depuis le Moyen-\u00c2ge, les\nvies de peuples de quelques g\u00e9n\u00e9rations pr\u00e9c\u00e9dentes sont dessin\u00e9es subtilement\net finement. Les gens pressent des raisins dans une ferme, des chevaux et des\nvaches tractent des chariots et des cigognes font leurs nids sur le toit de\nl\u2019\u00e9glise. Et puis des clins d\u2019\u0153il \u00e0 des contes et \u00e0 des \u0153uvres d\u2019art sont parsem\u00e9s\npartout dans ces paysages, cela nous incite \u00e0 revenir de nombreuses fois dans\nces images pittoresques. <\/p>\n\n\n\n

Anno est un\nauteur international de livre d\u2019images qui a re\u00e7u de nombreux prix y compris le\nprix Andersen. Il d\u00e9ployait \u00e9galement ses talents dans l\u2019aquarelle de paysage,\nl\u2019illustration, le design et l\u2019essai jusqu\u2019\u00e0 sa mort \u00e0 94 ans en d\u00e9cembre\ndernier, 2020. Certains de ses images ont d\u00e9j\u00e0 v\u00e9cu un demi-si\u00e8cle et ils n\u2019ont\ngu\u00e8re vieilli, ils vont continuer \u00e0 r\u00e9jouir plein de gens encore et encore.  <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

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R\u00e9dig\u00e9 par Tchi\u00e9 en fran\u00e7ais et en japonais \u30d5\u30e9\u30f3\u30b9\u8a9e\u7248\u306e\u5f8c\u306b\u65e5\u672c\u8a9e\u7248\u3042\u308a Mitsumasa Anno est pour moi le peintre des \u00ab grains de bois \u00bb. Je peux me rappeler l\u2019impact fort que j\u2019ai eu quand j\u2019ai vu ses dessins de grains de bois dans un livre d\u2019image qui se trouvait \u00e0 la maison. Cet impact ne venait pas de son id\u00e9e originale mais au contraire de son universalit\u00e9. L\u2019image d\u2019un meuble sobre et indiscutablement intemporel \u00e9tait surprenante du point de vue r\u00e9aliste de son grain de bois et de sa s\u00e9r\u00e9nit\u00e9. Le plafond d\u2019une chambre japonaise est souvent en planches en bois et si on<\/p>\n","protected":false},"author":1,"featured_media":549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","comments-off"],"yoast_head":"\nL\u2019\u00e9ternel Mitsumasa ANNO\u3000\u5b89\u91ce\u5149\u96c5\u3001\u6c38\u9060\u306b - Si le Japon m'\u00e9tait cont\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019\u00e9ternel Mitsumasa ANNO\u3000\u5b89\u91ce\u5149\u96c5\u3001\u6c38\u9060\u306b - Si le Japon m'\u00e9tait cont\u00e9\" \/>\n<meta property=\"og:description\" content=\"R\u00e9dig\u00e9 par Tchi\u00e9 en fran\u00e7ais et en japonais \u30d5\u30e9\u30f3\u30b9\u8a9e\u7248\u306e\u5f8c\u306b\u65e5\u672c\u8a9e\u7248\u3042\u308a Mitsumasa Anno est pour moi le peintre des \u00ab grains de bois \u00bb. 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Je peux me rappeler l\u2019impact fort que j\u2019ai eu quand j\u2019ai vu ses dessins de grains de bois dans un livre d\u2019image qui se trouvait \u00e0 la maison. Cet impact ne venait pas de son id\u00e9e originale mais au contraire de son universalit\u00e9. L\u2019image d\u2019un meuble sobre et indiscutablement intemporel \u00e9tait surprenante du point de vue r\u00e9aliste de son grain de bois et de sa s\u00e9r\u00e9nit\u00e9. Le plafond d\u2019une chambre japonaise est souvent en planches en bois et si on","og_url":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/","og_site_name":"Si le Japon m'\u00e9tait cont\u00e9","article_publisher":"https:\/\/www.facebook.com\/people\/Si-le-Japon-mtait-cont\/100081623407869\/","article_published_time":"2021-03-09T15:30:27+00:00","article_modified_time":"2021-03-14T16:14:53+00:00","og_image":[{"width":1632,"height":1224,"url":"https:\/\/silejapon-m-etaitconte.com\/wp-content\/uploads\/2021\/03\/anno-rotated.jpg","type":"image\/jpeg"}],"author":"admin4454","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"admin4454","Dur\u00e9e de lecture estim\u00e9e":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/#article","isPartOf":{"@id":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/"},"author":{"name":"admin4454","@id":"https:\/\/silejapon-m-etaitconte.com\/#\/schema\/person\/ba7e7b3d19a2ee4ad8b2fe9e66825510"},"headline":"L\u2019\u00e9ternel Mitsumasa ANNO\u3000\u5b89\u91ce\u5149\u96c5\u3001\u6c38\u9060\u306b","datePublished":"2021-03-09T15:30:27+00:00","dateModified":"2021-03-14T16:14:53+00:00","mainEntityOfPage":{"@id":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/"},"wordCount":961,"commentCount":0,"publisher":{"@id":"https:\/\/silejapon-m-etaitconte.com\/#organization"},"articleSection":["Culture"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/","url":"https:\/\/silejapon-m-etaitconte.com\/index.php\/2021\/03\/09\/leternel-mitsumasa-anno\/","name":"L\u2019\u00e9ternel Mitsumasa ANNO\u3000\u5b89\u91ce\u5149\u96c5\u3001\u6c38\u9060\u306b - 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